Catalog

AT LAST MO LAPENG marks the Trans-Kalahari Quintet’s second sensational release with Ansonica Records. Matt Dacso, Andrew Chinganga, Zakes Gwaze, Lekofi Sejeso, and Arthur Mengwe bring the ensemble to unbelievable new heights on this album, with funky afro-jazz recordings and spectacular percussive features that are sure to please the ear.

Jewish music, just like the Jewish people, has been around for centuries and originates from various backgrounds. Just like the recorder, an ancient instrument that has been revived in the past few decades, so does the Jewish history and within it, the Jewish music. 27 HEBREW MELODIES FOR RECORDER is a collection of beautiful songs, some of which are very ancient, religious, and Hasidic, while others are modern and secular. Some come from Europe and are sung in Yiddish while others were “born” in Israel and are in modern Hebrew. Is there a common character to these varied tunes? Perhaps the favor for minor scale, some modality, and the use of syncopation. Nevertheless, each and every one of them is a unique piece, recorded for the first time in this special arrangement made by Hans Lewitus for two Recorders. In the album, one can hear and enjoy the whole Recorder family, accompanied sometimes by violin, clarinet, and guitar, along with singing. — Inbar Solomon

SPRUCE RITUAL from Bay Area violinist, vocalist, and composer Lucian Balmer is a heartfelt dance between western classical and North Indian classical music. While the album is centered around violin, viola, and cello—the string instrument family at the heart of Romantic era chamber music—Balmer seamlessly integrates the sounds of the sitar and the tabla, two pillars of Indian classical music. While the recordings do not contain lyrics, the human voice is also a prominent instrument on this album. This is thanks to the use of sargam, in which the notes of the composition are sung. The music of SPRUCE RITUAL is richly illustrative of Balmer’s own life experiences, ranging from devotion, love, loss, melancholy, and excitement.

Formed from long standing friendships and mutual musical interests, whose distinctive sound has been embraced internationally, the Hevreh Ensemble returns with MESEROLE STREET, a collection of works from composer and ensemble member Jeff Adler. With music inspired by friends and family, nostalgia, and several compositions influenced by the 2020 pandemic, the ensemble employs a variety of instruments both common and unique, namely the Native American flute and the shofar horn. From the cold feelings of isolation in Alone to the resounding emotions of hope in Freedom Day and more in between, the Hevreh Ensemble’s close-knit relationship and signature sound once again proves their notion: “good friendship makes for good music, and great stories.”

ILUSIÓN Y VERDAD from Cuban guitarist Ahmed Dickinson Cárdenas and Maltese flutist Fiorella Camilleri is a vibrant collection of works for guitar and flute. The music incorporates not only the infectious Afro-Cuban rhythms for which Cárdenas is known, but also features elements of blues and rock, among others. Works like Hasta Alicia Baila and Sones Y Flores are especially inspired by the diverse history of Cuban music and its relationship to jazz and western classical music. Throughout the album, Cárdenas and Camilleri exhibit their ability to transcend genre limitations with ease, creating new and fascinating cross-cultural musical connections. Even still, Cárdenas’s performances reveal him to be a proud ambassador for his country’s music. Lauded by Classic FM Magazine as a “true pioneer,” Cárdenas upholds this title with ILUSIÓN Y VERDAD.

RE/SEMBLANCE: SAATH-SAATH from Ansonica Records is a unique collaboration between Indian and Chinese musicians and a Cantopop lyricist. The result lives up to the meaning of the Hindustani phrase Saath-Saath: “together-together.” Transcending the confines of borders and cultural differences, this double album is the result of multiple crisscrossing journeys that took Chinese musicians to Bangalore and Mumbai, and took Indian musicians to Hong Kong, Shanghai, Beijing, Hangzhou, Suzhou, and Wuhan. The music exemplifies the notion of “resemblance” by hinting at and recombining a number of cultural traditions; listeners hear a melody that hints at a Hindustani raga, Indian singers intone a Cantonese poem, and more. Through the shared language of music, RE/SEMBLANCE: SAATH-SAATH opens up exciting new possibilities for inter-cultural conversations.

SOPRANO MEETS BASS is the latest from Ansonica Records. This album of traditional medieval Sephardic songs arranged by jazz bassist and music director Alan Lewine and classical soprano Ana María Ruimonte is an ethnomusicological celebration of the ancient Sephardic culture. These Spanish Jews were expelled from Spain in the 15th Century and resettled throughout the world, mingling their musical traditions with those of other peoples they encountered. The original arrangements meld medieval Moorish Iberia, jazz, flamenco, Middle Eastern music, and bel canto. They have set these songs in a sort of recombinant world fusion reflecting a vibrant embodiment of the Sephardic communities and their culture.

Trans-Kalahari Quintet’s THE LONG JOURNEY HOME, the latest release from Ansonica Records, is a cross-continental exploration of jazz, funk, and South African cultural traditions. Saxophonist and composer Matthew Dacso met his bandmates while serving in Botswana as a doctor. Now, he proudly presents this unique musical fusion to audiences around the world.

The quartet of musicians who comprise Hevreh Ensemble – Judith Dansker, Laurie Friedman, Adam Morrison, and Jeff Adler – are making their Ansonica debut with A PATH OF LIGHT. Hevreh Ensemble is internationally acclaimed for its live performances, which feature a wide array of instruments from Cherokee Native American flute, English horn, and shofar to world percussion including djembe, dumbek, balafon, rain stick, and tabla. The Ensemble is also joined on A PATH OF LIGHT by some extraordinary guests, including the genre-defying string quartet ETHEL, cross-cultural percussionist Shane Shanahan, George Rush on double bass, and Naren Budhkar on tabla.

In Havana, recording sessions are done a little differently. Musicians and producers gather at recording studios, where a well-stocked bar and ample Wi-Fi are available in the lobby. A sense of ease and relaxation permeates the air -- people gather not just to produce recordings, but to create art with each other in a communal music experience.

With Ansonica Records’ release of MÚSICA UNIVERSAL, traditional Cuban tunes and wider genres of pop and soul stand side by side. Vocal Universo’s performances intend to appeal to all varieties of musical tastes, with the understanding that humanity has a deeper understanding of music that breaks through language and genre barriers.

A warm, tropical breeze blows across the palm trees while you stroll Havana’s famous Malecón. There’s a good chance you hear the music from DASH – the latest release from Ansonica Records.

SONGS OF LAKE VOLTA, Joe Sheehan’s debut on Ansonica Records, finds the composer and pianist fusing his passion for the music of West Africa, particularly that of Ghana, with his background in both classical chamber music and contemporary jazz. SONGS OF LAKE VOLTA features nine traditional Ghanian songs surrounded by original music composed by Sheehan, performed by two critically acclaimed groups: Kinetic and Kassia Ensemble.

Continuing in the series of Cuban recorded Ansonica Records projects comes CORO DEL MUNDO – choir of the world. With tracks ranging from sacred to secular, and from delicate to aggressive, the surprising cohesiveness of the composers’ work is astonishingly beautiful and impassioned. Schola Cantorum Coralina and Vocal Luna contribute exquisite vocals to the proceedings.

With TROVAS MODERNAS, the members of Bello Son have curated the latest edition of the Great Cuban Songbook. This group of free format musicians emerged in the summer of 2014, from an experimental project developed over six years by Professor Jesús Bello at the Samuel Feijóo Art School in Villa Clara Cuba.

Timothy Lee Miller presents SOMETHING MORE, eight original jazz compositions that explore the unique relationships that the composer has with his family. Expanding upon something as simple as a photograph or a memory, Miller's noir-influenced jazz expands his reflections beyond words, and instead creates story through moods.

Ansonica Records’ new release CHÉVERE richly explores and demonstrates the myriad cultural intersections that have recently become available to American and Cuban musicians. The album came together at a recording session that took place in Havana, Cuba in the month of January in 2017. The release presents a variety of collaborations between American, or American-based, composers and Cuban instrumentalists, arrangers, singers, and composers. Some of these connections are relatively straightforward, while others are more nuanced and personal; yet, they all enrich the compositions on CHÉVERE with the energy unique to the interaction of two powerful musical traditions.

Maykel Elizade’s SOUTH COUNTY makes the case for becoming the definitive collection of son cubano. Building on a Cuban tres foundation, this recording takes listeners on a sonic tour of the island nation. Cultural standards “Corazon Rebelde” and “Gracias a La Vida” are interwoven with Elizarde’s own compositions including the “Condado Sur.” The album opens with a spoken intro asking listeners to compare the music to an ajiaco –a traditional Cuban stew—in which many ingredients blend together to create a common taste, and with South County, a common vision.

Ansonica Records presents a fantastic collection of traditional Cuban music authentically performed by the Havana based all-female octet, Ellasón. The dynamic group is comprised of vocals, baby bass, chorus, guitar, congas, bongos, cowbells, two clarinets, violin, and a voice leader. Ellasón focuses on traditional Cuban and Latin-American music with inspiration from the Cuban musical genre, La Trova.

This exquisitely produced album embodies the beautiful art whose creation has been enabled by the newly opened cultural exchange between the United States and Cuba. Through a collection of intriguing compositions by American and American-based composers, INTERSECTIONS showcases the talents of Cuban musicians in a variety of large ensemble and chamber settings. Moreover, the pieces in the album’s contents are replete with symbols that touch on the promise of this new beginning in American-Cuban relations, and suggest some of the darkness that preceded it.