Genre: World

AT LAST MO LAPENG marks the Trans-Kalahari Quintet’s second sensational release with Ansonica Records. Matt Dacso, Andrew Chinganga, Zakes Gwaze, Lekofi Sejeso, and Arthur Mengwe bring the ensemble to unbelievable new heights on this album, with funky afro-jazz recordings and spectacular percussive features that are sure to please the ear.

Formed from long standing friendships and mutual musical interests, whose distinctive sound has been embraced internationally, the Hevreh Ensemble returns with MESEROLE STREET, a collection of works from composer and ensemble member Jeff Adler. With music inspired by friends and family, nostalgia, and several compositions influenced by the 2020 pandemic, the ensemble employs a variety of instruments both common and unique, namely the Native American flute and the shofar horn. From the cold feelings of isolation in Alone to the resounding emotions of hope in Freedom Day and more in between, the Hevreh Ensemble’s close-knit relationship and signature sound once again proves their notion: “good friendship makes for good music, and great stories.”

Trans-Kalahari Quintet’s THE LONG JOURNEY HOME, the latest release from Ansonica Records, is a cross-continental exploration of jazz, funk, and South African cultural traditions. Saxophonist and composer Matthew Dacso met his bandmates while serving in Botswana as a doctor. Now, he proudly presents this unique musical fusion to audiences around the world.

RE/SEMBLANCE: SAATH-SAATH from Ansonica Records is a unique collaboration between Indian and Chinese musicians and a Cantopop lyricist. The result lives up to the meaning of the Hindustani phrase Saath-Saath: “together-together.” Transcending the confines of borders and cultural differences, this double album is the result of multiple crisscrossing journeys that took Chinese musicians to Bangalore and Mumbai, and took Indian musicians to Hong Kong, Shanghai, Beijing, Hangzhou, Suzhou, and Wuhan. The music exemplifies the notion of “resemblance” by hinting at and recombining a number of cultural traditions; listeners hear a melody that hints at a Hindustani raga, Indian singers intone a Cantonese poem, and more. Through the shared language of music, RE/SEMBLANCE: SAATH-SAATH opens up exciting new possibilities for inter-cultural conversations.

In Havana, recording sessions are done a little differently. Musicians and producers gather at recording studios, where a well-stocked bar and ample Wi-Fi are available in the lobby. A sense of ease and relaxation permeates the air -- people gather not just to produce recordings, but to create art with each other in a communal music experience.

Ansonica Records’ new release CHÉVERE richly explores and demonstrates the myriad cultural intersections that have recently become available to American and Cuban musicians. The album came together at a recording session that took place in Havana, Cuba in the month of January in 2017. The release presents a variety of collaborations between American, or American-based, composers and Cuban instrumentalists, arrangers, singers, and composers. Some of these connections are relatively straightforward, while others are more nuanced and personal; yet, they all enrich the compositions on CHÉVERE with the energy unique to the interaction of two powerful musical traditions.

In November 2015, less than one year after these initial steps toward fully opening relations, PARMA Recordings produced the first of its recording projects in Havana. The resulting album, ABRAZO: THE HAVANA SESSIONS on the newly-minted Ansonica Records label, presents works for big band, small jazz combo, choir, and chamber ensembles by composers Bunny Beck, Roger Bourland, Don Bowyer, Margaret Brandman, John Carollo, Timothy Miller, Mel Mobley, and Michael Murray performed by current or former members of the National Symphony Orchestra of Cuba, the Buena Vista Social Club, Irakere, and many more.

This exquisitely produced album embodies the beautiful art whose creation has been enabled by the newly opened cultural exchange between the United States and Cuba. Through a collection of intriguing compositions by American and American-based composers, INTERSECTIONS showcases the talents of Cuban musicians in a variety of large ensemble and chamber settings. Moreover, the pieces in the album’s contents are replete with symbols that touch on the promise of this new beginning in American-Cuban relations, and suggest some of the darkness that preceded it.

Ansonica Records presents a fantastic collection of traditional Cuban music authentically performed by the Havana based all-female octet, Ellasón. The dynamic group is comprised of vocals, baby bass, chorus, guitar, congas, bongos, cowbells, two clarinets, violin, and a voice leader. Ellasón focuses on traditional Cuban and Latin-American music with inspiration from the Cuban musical genre, La Trova.

Maykel Elizade’s SOUTH COUNTY makes the case for becoming the definitive collection of son cubano. Building on a Cuban tres foundation, this recording takes listeners on a sonic tour of the island nation. Cultural standards “Corazon Rebelde” and “Gracias a La Vida” are interwoven with Elizarde’s own compositions including the “Condado Sur.” The album opens with a spoken intro asking listeners to compare the music to an ajiaco –a traditional Cuban stew—in which many ingredients blend together to create a common taste, and with South County, a common vision.

With TROVAS MODERNAS, the members of Bello Son have curated the latest edition of the Great Cuban Songbook. This group of free format musicians emerged in the summer of 2014, from an experimental project developed over six years by Professor Jesús Bello at the Samuel Feijóo Art School in Villa Clara Cuba.