Catalog

Ansonica Records’ new release CHÉVERE richly explores and demonstrates the myriad cultural intersections that have recently become available to American and Cuban musicians. The album came together at a recording session that took place in Havana, Cuba in the month of January in 2017. The release presents a variety of collaborations between American, or American-based, composers and Cuban instrumentalists, arrangers, singers, and composers. Some of these connections are relatively straightforward, while others are more nuanced and personal; yet, they all enrich the compositions on CHÉVERE with the energy unique to the interaction of two powerful musical traditions.

SONGS OF LAKE VOLTA, Joe Sheehan’s debut on Ansonica Records, finds the composer and pianist fusing his passion for the music of West Africa, particularly that of Ghana, with his background in both classical chamber music and contemporary jazz. SONGS OF LAKE VOLTA features nine traditional Ghanian songs surrounded by original music composed by Sheehan, performed by two critically acclaimed groups: Kinetic and Kassia Ensemble.

ILUSIÓN Y VERDAD from Cuban guitarist Ahmed Dickinson Cárdenas and Maltese flutist Fiorella Camilleri is a vibrant collection of works for guitar and flute. The music incorporates not only the infectious Afro-Cuban rhythms for which Cárdenas is known, but also features elements of blues and rock, among others. Works like Hasta Alicia Baila and Sones Y Flores are especially inspired by the diverse history of Cuban music and its relationship to jazz and western classical music. Throughout the album, Cárdenas and Camilleri exhibit their ability to transcend genre limitations with ease, creating new and fascinating cross-cultural musical connections. Even still, Cárdenas’s performances reveal him to be a proud ambassador for his country’s music. Lauded by Classic FM Magazine as a “true pioneer,” Cárdenas upholds this title with ILUSIÓN Y VERDAD.

SPRUCE RITUAL from Bay Area violinist, vocalist, and composer Lucian Balmer is a heartfelt dance between western classical and North Indian classical music. While the album is centered around violin, viola, and cello—the string instrument family at the heart of Romantic era chamber music—Balmer seamlessly integrates the sounds of the sitar and the tabla, two pillars of Indian classical music. While the recordings do not contain lyrics, the human voice is also a prominent instrument on this album. This is thanks to the use of sargam, in which the notes of the composition are sung. The music of SPRUCE RITUAL is richly illustrative of Balmer’s own life experiences, ranging from devotion, love, loss, melancholy, and excitement.

Jewish music, just like the Jewish people, has been around for centuries and originates from various backgrounds. Just like the recorder, an ancient instrument that has been revived in the past few decades, so does the Jewish history and within it, the Jewish music. 27 HEBREW MELODIES FOR RECORDER is a collection of beautiful songs, some of which are very ancient, religious, and Hasidic, while others are modern and secular. Some come from Europe and are sung in Yiddish while others were “born” in Israel and are in modern Hebrew. Is there a common character to these varied tunes? Perhaps the favor for minor scale, some modality, and the use of syncopation. Nevertheless, each and every one of them is a unique piece, recorded for the first time in this special arrangement made by Hans Lewitus for two Recorders. In the album, one can hear and enjoy the whole Recorder family, accompanied sometimes by violin, clarinet, and guitar, along with singing. — Inbar Solomon