Catalog

Ansonica Records presents a fantastic collection of traditional Cuban music authentically performed by the Havana based all-female octet, Ellasón. The dynamic group is comprised of vocals, baby bass, chorus, guitar, congas, bongos, cowbells, two clarinets, violin, and a voice leader. Ellasón focuses on traditional Cuban and Latin-American music with inspiration from the Cuban musical genre, La Trova.

With TROVAS MODERNAS, the members of Bello Son have curated the latest edition of the Great Cuban Songbook. This group of free format musicians emerged in the summer of 2014, from an experimental project developed over six years by Professor Jesús Bello at the Samuel Feijóo Art School in Villa Clara Cuba.

Continuing in the series of Cuban recorded Ansonica Records projects comes CORO DEL MUNDO – choir of the world. With tracks ranging from sacred to secular, and from delicate to aggressive, the surprising cohesiveness of the composers’ work is astonishingly beautiful and impassioned. Schola Cantorum Coralina and Vocal Luna contribute exquisite vocals to the proceedings.

With Ansonica Records’ release of MÚSICA UNIVERSAL, traditional Cuban tunes and wider genres of pop and soul stand side by side. Vocal Universo’s performances intend to appeal to all varieties of musical tastes, with the understanding that humanity has a deeper understanding of music that breaks through language and genre barriers.

SOPRANO MEETS BASS is the latest from Ansonica Records. This album of traditional medieval Sephardic songs arranged by jazz bassist and music director Alan Lewine and classical soprano Ana María Ruimonte is an ethnomusicological celebration of the ancient Sephardic culture. These Spanish Jews were expelled from Spain in the 15th Century and resettled throughout the world, mingling their musical traditions with those of other peoples they encountered. The original arrangements meld medieval Moorish Iberia, jazz, flamenco, Middle Eastern music, and bel canto. They have set these songs in a sort of recombinant world fusion reflecting a vibrant embodiment of the Sephardic communities and their culture.

RE/SEMBLANCE: SAATH-SAATH from Ansonica Records is a unique collaboration between Indian and Chinese musicians and a Cantopop lyricist. The result lives up to the meaning of the Hindustani phrase Saath-Saath: “together-together.” Transcending the confines of borders and cultural differences, this double album is the result of multiple crisscrossing journeys that took Chinese musicians to Bangalore and Mumbai, and took Indian musicians to Hong Kong, Shanghai, Beijing, Hangzhou, Suzhou, and Wuhan. The music exemplifies the notion of “resemblance” by hinting at and recombining a number of cultural traditions; listeners hear a melody that hints at a Hindustani raga, Indian singers intone a Cantonese poem, and more. Through the shared language of music, RE/SEMBLANCE: SAATH-SAATH opens up exciting new possibilities for inter-cultural conversations.

SPRUCE RITUAL from Bay Area violinist, vocalist, and composer Lucian Balmer is a heartfelt dance between western classical and North Indian classical music. While the album is centered around violin, viola, and cello—the string instrument family at the heart of Romantic era chamber music—Balmer seamlessly integrates the sounds of the sitar and the tabla, two pillars of Indian classical music. While the recordings do not contain lyrics, the human voice is also a prominent instrument on this album. This is thanks to the use of sargam, in which the notes of the composition are sung. The music of SPRUCE RITUAL is richly illustrative of Balmer’s own life experiences, ranging from devotion, love, loss, melancholy, and excitement.