Catalog

In November 2015, less than one year after these initial steps toward fully opening relations, PARMA Recordings produced the first of its recording projects in Havana. The resulting album, ABRAZO: THE HAVANA SESSIONS on the newly-minted Ansonica Records label, presents works for big band, small jazz combo, choir, and chamber ensembles by composers Bunny Beck, Roger Bourland, Don Bowyer, Margaret Brandman, John Carollo, Timothy Miller, Mel Mobley, and Michael Murray performed by current or former members of the National Symphony Orchestra of Cuba, the Buena Vista Social Club, Irakere, and many more.

Maykel Elizade’s SOUTH COUNTY makes the case for becoming the definitive collection of son cubano. Building on a Cuban tres foundation, this recording takes listeners on a sonic tour of the island nation. Cultural standards “Corazon Rebelde” and “Gracias a La Vida” are interwoven with Elizarde’s own compositions including the “Condado Sur.” The album opens with a spoken intro asking listeners to compare the music to an ajiaco –a traditional Cuban stew—in which many ingredients blend together to create a common taste, and with South County, a common vision.

Timothy Lee Miller presents SOMETHING MORE, eight original jazz compositions that explore the unique relationships that the composer has with his family. Expanding upon something as simple as a photograph or a memory, Miller's noir-influenced jazz expands his reflections beyond words, and instead creates story through moods.

SONGS OF LAKE VOLTA, Joe Sheehan’s debut on Ansonica Records, finds the composer and pianist fusing his passion for the music of West Africa, particularly that of Ghana, with his background in both classical chamber music and contemporary jazz. SONGS OF LAKE VOLTA features nine traditional Ghanian songs surrounded by original music composed by Sheehan, performed by two critically acclaimed groups: Kinetic and Kassia Ensemble.

A warm, tropical breeze blows across the palm trees while you stroll Havana’s famous Malecón. There’s a good chance you hear the music from DASH – the latest release from Ansonica Records.

With Ansonica Records’ release of MÚSICA UNIVERSAL, traditional Cuban tunes and wider genres of pop and soul stand side by side. Vocal Universo’s performances intend to appeal to all varieties of musical tastes, with the understanding that humanity has a deeper understanding of music that breaks through language and genre barriers.

In Havana, recording sessions are done a little differently. Musicians and producers gather at recording studios, where a well-stocked bar and ample Wi-Fi are available in the lobby. A sense of ease and relaxation permeates the air -- people gather not just to produce recordings, but to create art with each other in a communal music experience.

The quartet of musicians who comprise Hevreh Ensemble – Judith Dansker, Laurie Friedman, Adam Morrison, and Jeff Adler – are making their Ansonica debut with A PATH OF LIGHT. Hevreh Ensemble is internationally acclaimed for its live performances, which feature a wide array of instruments from Cherokee Native American flute, English horn, and shofar to world percussion including djembe, dumbek, balafon, rain stick, and tabla. The Ensemble is also joined on A PATH OF LIGHT by some extraordinary guests, including the genre-defying string quartet ETHEL, cross-cultural percussionist Shane Shanahan, George Rush on double bass, and Naren Budhkar on tabla.

Trans-Kalahari Quintet’s THE LONG JOURNEY HOME, the latest release from Ansonica Records, is a cross-continental exploration of jazz, funk, and South African cultural traditions. Saxophonist and composer Matthew Dacso met his bandmates while serving in Botswana as a doctor. Now, he proudly presents this unique musical fusion to audiences around the world.

SOPRANO MEETS BASS is the latest from Ansonica Records. This album of traditional medieval Sephardic songs arranged by jazz bassist and music director Alan Lewine and classical soprano Ana María Ruimonte is an ethnomusicological celebration of the ancient Sephardic culture. These Spanish Jews were expelled from Spain in the 15th Century and resettled throughout the world, mingling their musical traditions with those of other peoples they encountered. The original arrangements meld medieval Moorish Iberia, jazz, flamenco, Middle Eastern music, and bel canto. They have set these songs in a sort of recombinant world fusion reflecting a vibrant embodiment of the Sephardic communities and their culture.

Formed from long standing friendships and mutual musical interests, whose distinctive sound has been embraced internationally, the Hevreh Ensemble returns with MESEROLE STREET, a collection of works from composer and ensemble member Jeff Adler. With music inspired by friends and family, nostalgia, and several compositions influenced by the 2020 pandemic, the ensemble employs a variety of instruments both common and unique, namely the Native American flute and the shofar horn. From the cold feelings of isolation in Alone to the resounding emotions of hope in Freedom Day and more in between, the Hevreh Ensemble’s close-knit relationship and signature sound once again proves their notion: “good friendship makes for good music, and great stories.”